Still

If there was one word to describe my life, along with most other people’s, it’d be busy.  While I was in school, classes dominated most of my time, along with practicing, studying, ensembles, church, concerts, gigs, intramurals, hanging out with friends, eating, ping-pong, Refuge, Kappa Chi, work-study, Walmart runs, and squeezing in some sleep when I decided that it was more important than going to Waffle House at 3 in the morning.  With my first semester of college being knocked out, I’m back home for majority of the summer.  I’ll be working part-time, playing some random gigs, going to a few weddings, and hanging out with friends.  So far, these past two and a half weeks of summer have been uneventful compared to college life.

For awhile, I didn’t know what to do with myself.  The sharp increase in the amount of sleep was much appreciated, but other than that, it was really weird not having something to keep me constantly occupied.  During school, I could always either be catching up homework,  practicing piano or bass, or take a quick power nap to help recover from the past week of tests.  At home, there hasn’t been that sense of urgency.  There was actually some time to sit and relax.

There I said it, relax. i.e: chill out, do nothing, take a breather, sit on the bench, ride the pine.  I have discovered that I’m addicted to being active.  When I do nothing, I feel awkward.  The other day, nobody was home (a rare occurrence being a triplet), and I plopped myself on the couch.  No tv, no laptop, no iPod, no books.  Just me and my empty living room.  I thought to myself, “Wow, I’m really doing absolutely nothing.  How productive.  I should finally learn how to cook or something.”

“Wait a minute.”

“This is actually kinda nice.  I have time to think.”  I could contemplate what we were going to eat for dinner, were the Rangers going to crap out right before the post-season like always, why God ever thought mosquitoes would be a good on Earth, and why was I not doing this more often.  It really was an amazing thing.  I was doing nothing, and was actually taking time to make sure that was the case.  I tried it again the next day, this time next my to my bed.  Yet again, amazing results.  There wasn’t a whole lot I thought about, but what I took from it was that it made me more relaxed, clear-minded, and focused.  After all this I probed at myself and thought, why haven’t I been this methodical when I take time in God’s word?  When I took time to be alone with God at Ouachita, it was usually squeezed between two classes or real late at night when I was tired of studying.  This made me think, alright Michael, you’re taking tenfold  the amount of time you spend developing the talents you have than the amount of time you put into having an intimate, distraction-free talk with the man, whom you call Lord, that gave those talents to you?

That’s way messed up.

So, recently, as in the past two weeks, I have been dissecting my days, and setting apart time to be absolutely still.  Of course, I want most of it to be exclusively dedicated to listening to God and spending time soaking in His word, but I have also found that taking time to simply do nothing helps tremendously also. Check out Psalm 46:10: “Be still and know that I am God; I will be exalted among the nations; I will be exalted in the earth.”  It is much easier to see how huge, powerful, and gracious God is when you take time to do it.

In all of this, I’m encouraging you to try this: do nothing.  Start with about 5 minutes.  Sit in a chair, lay on floor, make a hammock, do whatever.  Try not to fall asleep, and just sit.  At first it may seem pointless and boring, but give it a little while.  Many activities during this may include: yawning, frequently changing positions, praying, cracking your knuckles, and feeling like a caterpillar.  I’d like to hear if this helps anyone; it has really helped me put some things in perspective and more simply, chill out.  I am by no means an expert on the subject of relaxation, and I’m definitely not saying I’m the most productive person of all-time and never ever slack off, but it’s been really nice to set aside the time to just think, listen, and grow.

-MKC

Music Appreciation Rant #1: Thrice

I’d like this to be a first of many posts about what I’m very much passionate about: good music.  These strands are gonna be about artists that have really sculpted me as a musician and have come out with absolutely groundbreaking stuff.  So here goes.

P.S. – These are just my opinions and in no way reflect the views of said artists.  Some things may be quoted from them, but for the most part, it’ll be just what I’ve got from their music.

If you know me personally, you probably know that my “favorite band of all time” is none  other than, yes you guessed it, Thrice.  In a nutshell, they’re  a four-piece rock/experimental group from Orange County, California.  You’ll hear more about them as we go.  I was introduced to them my freshman year in high school thanks to my good friend Jesse Cowan, and I was immediately hooked.  What amazed me about the group was that they could dabble in almost any style.  Their 2007 release, The Alchemy Index, absolutely blows my mind.  It is comprised of four EP’s, each themed Fire, Water, Air, and Earth.  Each EP has six tracks and were meant to represent each element.  Basically, fire is heavy and gritty, water is digital and chilled out, air is fast paced and etherial, and earth is stripped down and acoustic.  What still blows my mind is that they recorded all of the EP’s in their own home-grown studio in Orange County, and with no producer.  Just Dustin, Teppei, Riley, and Ed.  The results were musically earthshattering (no pun intended).  I’d say much, much more, but I’d like you to go listen to ‘em and tell me what you think.  Run through ‘em a couple times.  There’s SO much in each EP, and I’m pretty sure I discover something new every time I run through ‘em.

What’s also amazing about the group is their lyrics.  On the album, the credit for most of the lyrics goes to Dustin Kensrue.  I think the bassist, Ed, helped write one off their newest record, Beggars (which I still cannot stop listening to).  I am not discrediting any of the other three musicians at all.  I know they each play a vital part in the group, but I really appreciate how Dustin’s lyrics play into their sound.  The band Thrice is not labeled as a “Christian” band, nor do they get much play on Christian radio stations, or tour with Christian artists. What’s awesome is that if you really look closely at their lyrics, there SO MANY references to the Bible and its truths.  Let’s take a look at a bit of “In Exile”. (cue old-school projector here)

I am an exile, a sojourner

A citizen of some other place

All I’ve seen is just a glimmer in a shadowy mirror

But I know one day we’ll meet face to face

My heart is filled with songs of forever

The city that endures when all is made new

I know I don’t belong here, I’ll never

Call this place my home, I’m just passing through

He’s right, we are all In Exile.  He knows that “this place”, earth, isn’t our home.  We are meant to be with Father in “the city that endures.”  One day we will “meet face to face” with Him, and words cannot explain how amazing it will be.  Again, I’d like you to listen to it and let me know what you get from it.  Again, this is what I think Dustin’s saying. I have not had the pleasure of having a conversation with him.  Although I have seen interviews with him discussing his faith and is heart to reach people, I can only guess his intended interpretations.

In conclusion, I encourage you to check Thrice out, whoever you are.  My goal is just to spark some interest, then I want you to listen and form your own thoughts about why they’re awesome, or not-so-awesome.

-MKC

Yes, This Is Quite Permanent.

Since I’ve had this tattoo, I have been asked multiple times why I got it, where did the inspiration come from, and of course…did it hurt.  I’ll answer the simplest one first: Yes, it hurt.  I’d say on a scale of 1 to 10, it was about a constant 5.5.  It mainly posed itself as a constant annoyance for the better part of an hour.  All in all, I’m really glad I got it.

First off, it is in modern Hebrew and translates “Here I Am, Send Me.”  This phrase comes from Isaiah 6:8.  In chapter 6, Isaiah has a vision that he is God’s throne room.  He sees God and a bunch of seraphs (six winged angels) singing about God’s glory.  Isaiah says “woe to me, for I am a man of unclean lips, and have seen the King, the Lord God almighty!”  Isaiah’s supposed to be going out to these lost people’s, but he doesn’t think he’s good enough.  So, a seraph takes a live, burning coal from a fire on the temple floor, and touches it to Isaiah’s lips.  Through this, Isaiah’s guilt was taken away and his sins were atoned for.

Ok, so here’s the awesome part.

God then asks Isaiah, “Whom shall I send? And who will go for us?”  And Isaiah says:

Here Am I, Send Me

I picture Isaiah standing up, bold and completely unashamed while accepting this commission.  It really is a powerful picture.  After this encounter with God, Isaiah goes out to the people he was commissioned for and does some amazing stuff.  By having this statement permanently embedded into my arm, it is a constant reminder to me that I am here to be sent out and impact people in a way that’s pleasing to Father.  Yes, you’re right that it’s possible to live a good life without having a reminder tattooed on your body, but this will help keep me in check, even what I don’t want to be.  I know I’m going to fall short at times, but I’m here to serve, humbly and graciously.

-MKC

Gear Talk #1: All Things Bass

So yea, let’s go through all my bass stuff.

The Upright Bass

I love this thing.  It was made by Eberle Wilhelm (some German Luthier).  I acquired it from Williamson’s Music Shop about 3 1/2 years ago with a little help from my Grandma.  She’s awesome.  I had been playing electric bass for awhile and had got into the school jazz band, so I thought it’d be cool to have an upright also.  The previous owner of this bass hid it laying down at a show during an intermission, and a random guy tripped over it and drove the bridge through the body.  The shop did an amazing repair job, but there still remains a large scare under the foot of the E bridge foot.  Although I love to play jazz on it, I’m working very hard to be a better classical musician and utilize the bow.  Progress is slow, but it’s getting easier.  I also installed a pickup called The Realist by David Gage recently and  I’m pretty happy with it, but it may be replaced rather soon.

The Rig

I’m gonna start off with my cabs, then break down what I have in my rack.

Markbass 2×10 and 1×15 : I love these because they very transparent and ultra light.  The 15″ takes care of most of the bottom end, but still remains balanced and tight.  The 2×10 is amazingly punchy and can also handle the lows until it’s absolutely cranked.  Having the two cabs paired is ideal, but for small gigs, the 2×10 does great.  I don’t think I’ll be getting rid of these for a long time.


EVS Tourcase:  Keeps your equipment in good shape, but not too great on your back.  My good friend Cameron Magee recommended this company to me and also custom wired the entire back panel.  He did a FANTASTIC job with it and I couldn’t be happier.

Furman PL-8C Power Conditioner: Everything in my rack plugs into this bad body.  It’s basically a big power strip that cleans up the electricity running through your equipment and protects it from surges.  Oh, and it has cool little lights in the front just in case the stage is dark, or if you drop your glasses.

Genz-Benz ShutteMAX 6.0: I had researched a ton of bass heads while looking for a new one ,and I finally come to this beauty.  I love it because it’s light, rack-mountable, and has two channels.  It has a solid state AND a tube channel that are both powered by a Class D power amp.  I primarily use the tube channel for my electric, and the solid state for my upright.  This allows me to have separate EQ’s for both instruments so I can keep them dialed in and switch on the fly.  It packs 600 watts of power and only weighs 6 pounds.  I’m all about that.

dbx 166XL compressor:  This is a great thing to have in any setup.  I’m not a fan of having a really “squished” sound, but I like having just a tad bit of compression to help clean things up and have my sound a bit tighter.  The ratio’s usually set at about 1.5:1 and I set the attack pretty fast, and the release  fairly slow.  Yes I know, accurate terms right?

Korg dtr-1000 Tuner:  There’s not a whole lot to say about this except that it’s a big, accurate tuner that I can see from a mile away.  Lights are always fun.

The Jazz Bass

I got this as a Christmas gift in 2005 from my parents.  Besides bringing me into this world, I think this is one of the best things they have done for me.  And again, I clarify, just one of the amazing things they have done.  It’s a 2003 Highway 1 Series Fender Jazz Bass.  It’s American made, but the difference between it and an American Standard is that is has a Leo-Quan Badass II Bridge ( yea, I don’t know why it’s named that either), a graphite reinforced neck, and a nitrocellulose finish.  The pickups may be a bit different also, but I’m not sure.  This bass has done everything for me: jazz, funk, rock, country.  I don’t think I’ll ever sell it.  It feels great and I love the classic J-bass “growl”.  In the near future, I may be replacing the stock pickups with some Fralins and taking out the guts and putting in a RSGuitarworks electronics kit.  It’ll still maintain the same “sound”, but I think it’ll have a little bit more punch and have more flexible EQ which will make more blending options between the two pickups.

-MKC

So this is cool…

Wow.  My very own blog.  It’s like my journal getting stolen and put on the internet, but me ripping out the pages I didn’t want you to read before you got it.  Fair enough.  I’ll do my best to put some worthwhile ideas, pictures, etc. up here.  I guess I’ll start with stuff I can talk about: gear.

-MKC

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